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  • Once Upon a Time… in Hollywood

    Once Upon a Time… in Hollywood

    ★★★★

    still feel like the cumulative effect of this is so much more melancholy than the simplistic, juvenile genre catharsis of its climax that seems to overwhelm the conversations around it. tarantino overtly believes in the power of cinema and fantasy, yes, but you can really sense him wrestling with its limitations here too which i think is an important distinction between this and the other history-changing pastiches he's been playing around with. Basterds always played to me like a call…

  • Enter the Dragon

    Enter the Dragon

    ★★★★

    "now, you must remember: the enemy has only images and illusions behind which he hides his true motives. destroy the image and you will break the enemy."

    [35mm]

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  • Uncut Gems

    Uncut Gems

    ★★★★

    ‪adam sandler sobbing “you can’t even get buried with me now” while looking at julia fox’s ass tattoo fucking destroys me.

  • The Irishman

    The Irishman

    ★★★★★

    working stiffs.

    not sure i've ever mentioned this before but i have a very personal fear of not... feeling... correctly. like enormously important things are happening around you in a matter-of-fact, dissociative way that you can understand the significance of but you can't shake this idea that you're experiencing them wrong—like they're a thing you've been vaguely told and taught about so you're performing it like work when really you're supposed to be doing more, feeling more, being more. because…