dirtylaundri’s review published on Letterboxd:
Compared to the all-you-can-eat mondo approach of AMERICA and AROUND THE WORLD, this almost feels like classical cinema again, maybe because this time there's a rather clear delineation between the softcore scenes and the cannibal stuff. Especially since the sex is surprisingly sensuous. The scenes of Gemser and Tinti especially are the warmest, most intimate in the series so far. There's also the ultimative fuck in front of the NY skyline scene that they just had to include sooner or later.
Once they reach the jungle, things pretty much switches into action-adventure mode, which also means that Emanuelle herself loses a bit of control. She's no longer mistress of ceremonies, but just another piece of prey (that drony cannibal pov shots are extremely unnerving; D'Amato might not have been the best storyteller in the world, but his suspense/horror technique is always first-rate). Luckily, that wonderful water goddess scene as well as her woke closing monologue spoken directly into the camera (how shameless can you get) more than make up for it.
Of course, there's still enough relevant imagery in there to either satisfy or disgust pretty much anyone. As for myself, I can stand stuff like this only once in a while, but right now I'm completely in love with European exploitation cinema again.
A shame Emanuelle ditches her wonderful doll-camera after the first scene, though.